In Spirit and in Truth

How do we worship? Is it by actions or by attitudes? Do feeling count? Is there one right way, place, and time? As Jesus Christ confronted the Samaritan woman at the well with the truth of who He is, He said:

But the hour is coming, and is now here, when the true worshipers will worship the Father in spirit and truth, for the Father is seeking such people to worship him. God is spirit, and those who worship him must worship in spirit and truth.” John 4:23-24 English Standard Version (ESV)

Remarkably, in this statement lie answers for the questions with which we opened this post. Calvin comments on the passage:

But the hour cometh. …To show that God does not choose to be worshipped either in Jerusalem or in mount Gerizim, he takes a higher principle, that the true worship of Him consists in the spirit; …hence it follows that in all places He may be properly worshipped.

Why, and in what sense, is the worship of God called spiritual? The worship of God is said to consist in the spirit, because it is nothing else than that inward faith of the heart which produces prayer, and, next, purity of conscience and self-denial, that we may be dedicated to obedience to God as holy sacrifices.

But the Old Testament Church had elaborate ceremonies in their public worship. Did they worship in spirit and truth under the Law?

I reply, as God is always like himself, he did not from the beginning of the world approve of any other worship than that which is spiritual, and which agrees with his own nature. …Moses…declares in many passages that the Law has no other object than that the people may cleave to God with faith and a pure conscience.

…Thus we may justly say that the worship [described in] the Law was spiritual in its substance, but, in respect of its form, it was somewhat earthly and carnal; for the whole of that economy, the reality of which is now fully manifested, consisted of shadows.

…In all ages God wished to be worshipped by faith, prayer, thanksgiving, purity of heart, and innocence of life; and at no time did he delight in any other sacrifices.

But what about public worship in today’s visible Church?

…There are indeed among ourselves, in the present day, some outward exercises of godliness, which our weakness renders necessary, but such is the moderation and sobriety of them, that they do not obscure the plain truth of Christ. In short, what was exhibited to the fathers under figures and shadows is now openly displayed.

…Thus all who oppress the Church with an excessive multitude of ceremonies, do what is in their power to deprive the Church of the presence of Christ. I [dismiss] the vain excuses which they plead, that many persons in the present day have as much need of those aids as the Jews had in ancient times. It is always our duty to inquire by what order the Lord wished his Church to be governed, for He alone knows thoroughly what is expedient for us.

So why was there a difference between the Old and New Testament Churches?

The true worshippers. … Knowing that the world would never be entirely free from superstitions, [Christ] thus separates the devout and upright worshippers from those who were false and hypocritical.

…What it is to worship God in spirit and truth appears clearly from what has been already said. It is to lay aside the entanglements of ancient ceremonies, and to retain merely what is spiritual in the worship of God; for the truth of the worship of God consists in the spirit, and ceremonies are but a sort of appendage.

Finally, why is worship not elaborate ceremony but in spirit and truth?

God is a Spirit. …God is so far from being like us, that those things which please us most are the objects of his loathing and abhorrence…As we cannot ascend to the height of God, let us remember that we ought to seek from His word the rule by which we are governed. Christ simply declares here that his Father is of a spiritual nature, and, therefore, is not moved by frivolous matters, as men, through the lightness and unsteadiness of their character, are wont to be.

***

As Mark Dever preaches, our whole lives are acts of worship if they’re lived in obedience to God. Our public worship consists of: prayer, singing, hearing the Word read, hearing the Word preached, and participating in baptism and the Lord’s supper. Worship is hearing God’s word and responding to it in obedience.

Mark Dever: Worship in Spirit and Truth, Ligonier Ministries

Writing – A Review

I recommend two books on writing: Gotham Writers Workshop: Writing Fiction edited by Alexander Steele and Essentials of Screenwriting: The Art, Craft, and Business of Film and Television Writing by Richard Walter.

GWW covers the fiction writing craft–character, plot, point of view, etc.–suitable for all formats: short stories, essays, novels, etc. If I had to guess, this is one of the sources from which the myriads of writing books on the market draw their lessons. GWW purports to give the same materials you might get at an expensive writers workshop (except without the feedback, or the expense).

There’s a remarkably detailed overview of EoS on its Amazon page. I was interested in screenwriting which is covered in the first third of the book. I didn’t read the rest of the book which describes the sales and management involved in a screenwriting career.

My major take away from GWW is: rewrite, rewrite, and rewrite a third time. The idea of writing a draft, rewriting it from memory, and rewriting that one, again from memory, strikes me as an excellent way to deeply involve the subconscious in the story’s development.

I admit it goes against my personality to do this repetitive process. But I acknowledge its value and will endeavor to reduce it to practice in some form or other. My stories need more than just multiple revisions before sending them off for professional editing. These editors have never urged total rewrites because of policy (i.e., they like the return business).

EoS emphasizes developing an integrated story. Any element that advances the story and/or develops the characters is in; whatever doesn’t do these two things is out. If it moves the story or characters forward almost anything is in. However, if the story starts out as a sweet romantic comedy set in the South Bronx, don’t have the Martians invade and conquer the Earth in chapter 7.

Here’s an entire ‘Essentials of Screenwriting – Complete Film Courage Interview’ with UCLA Professor Richard Walter on YouTube. Please be aware that there are a few instances of coarse language during the interview. The following is an excerpt from this interview with a self-described crazy old hippie.

‘Most Important Thing I Teach My Screenwriting Students,’ UCLA Prof. Richard Walter, June 11, 2013

A Digital Carol – A Tale for Our Generation – Professionally Reviewed by Kirkus Indie

At Kirkus Reviews’s 35% fair use limit, here’s what Kirkus Indie thought of A Digital Carol – A Tale for Our Generation.

A Digital Carol – A Tale for Our Generation

by Adolphus Writer

KIRKUS REVIEW

A Digital Carol cover (quarter scale) - copyright, all rights reservedWriter’s (Tragic Wonders, 2013, etc.) novella reimagines Charles Dickens’ A Christmas Carol as a cautionary sci-fi tale.

In this 21st century recasting of the classic story, E. Ben Ezer fills the role of the iconic Ebenezer Scrooge. He’s a callous businessman in the not-too-distant future, who, in his quest for wealth, has replaced almost his entire staff with a sophisticated autonomous computer network. Ezer’s greed extends far beyond mere wealth, however; he’s looking to transcend his current position and become something of a godlike figure. While working late one night, Ezer confronts the image of his former business partner emanating from his computer screen. Unfazed, Ezer decides to try out his company’s experimental virtual reality suit, and the apparition soon leads him through his past, present and future.

Read the entire review

We expected a fair to middlin’ review and that’s what we’ve got. We’ll work on our prose next time around.

Based on Amazon’s editorial review policies and Kirkus Reviews excerpt guidelines, we’ll use:

“Writer’s (Tragic Wonders, 2013…) novella reimagines Charles Dickens’ A Christmas Carol as a cautionary sci-fi tale.” —Kirkus Reviews

and

“Writer’s interpretation is an intriguing retelling…it does much more than merely change the classic tale’s setting and style.” —Kirkus Reviews

Both excerpts fit Twitter and Goodreads self-serve ad character count limits.

If you are interested in reading the $0.99 story for yourself:

A Digital Carol – A Tale for Our Generation

By Adolphus Writer

amazon.com/dp/B00PVFS5AQ

Genre: science fiction, Christian futuristic

1st edition, released November 19, 2014

By Mandated Memoranda Publishing, LLC

Exclusively as an Amazon Kindle Edition

ASIN: B00PVFS5AQ

ISBN: 978-0-9855327-2-7

Simultaneous Device Usage: Unlimited

90 pages (estimated)

Dr. Cosby’s Reading Secrets

Ever since we were able to buy comedy albums, we’ve laughed with Dr. Bill Cosby.

Bill Cosby Far from Finished 2013  about 2 hours 34.5 minutes long (~90 minute show, 50 minute interview, and 10 minute behind the scenes).

Dr. Cosby earned a Doctorate in Education in 1976 from University of Massachusetts Amherst. He wrote the article ‘How to Read Faster’ that taught three methods to speed read with improved comprehension: preview, skim, and cluster, which appeared in the November 1979 issue of Ebony magazine on page 86 and in the March 1980 issue of Ebony magazine on page 72.

Here’s how to preview lengthy material:

  1. Read the first two paragraphs of your reading material.
  2. Next read only the first sentence of each of the following paragraphs.
  3. Then read the last two paragraphs entirely.

You get the gist of the text so you can evaluate it. Then you know whether it’s worth the time to read the material in-depth.

I urge you to use Dr. Cosby’s preview technique when reading anything time-consuming (for instance, the posts on this blog).

Thank you, sir, for speaking out. I think you’ve been speaking out for decades but people weren’t listening very well.

Happy 77th birthday.